Nat Ward

Listing 12 'work on paper' Works   |   Viewing 1 - 12
Nat Ward WildFlowers _1
WildFlowers #1
oil and wax on paper
30 x 35 cm
SOLD
Nat Ward WildFlowers _3
WildFlowers #3
oil and wax on paper
30 x 35 cm
framed
Nat Ward Australian High Country with Wild Flowers
Australian High Country with Wild Flowers
oil and wax on canvas
93 x 103 cm
framed
Nat Ward
Australian High Country with Wild Flowers #1
oil and wax on canvas
93 x 103 cm
framed
Nat Ward High Country Wildflowers
High Country Wildflowers
oil and wax on paper
70 x 90 cm
framed
Nat Ward The Murray River _10
The Murray River #10
oil and wax on paper
74 x 84 cm
framed
Nat Ward The Murray River _13
The Murray River #13
oil and wax on paper
74 x 84 cm
framed
Nat Ward The Murray River _4
The Murray River #4
oil and wax on paper
74 x 84 cm
framed
Nat Ward The Murray River _8
The Murray River #8
oil and wax on paper
74 x 84 cm
framed
Nat Ward WildFlowers _4
WildFlowers #4
oil and wax on paper
30 x 35 cm
framed
Nat Ward The Murray River-wildflowers __4 commission
The Murray River-wildflowers #4 commission
oil and wax on paper
30 x 36 cm
SOLD
Nat Ward WildFlowers _2
WildFlowers #2
oil and wax on paper
30 x 35 cm
SOLD

3, 6, 12, 24, 48, 120, Works per page

formatting

Nat Ward

Nat Ward

Nat Ward Biography

Unexpected myriads sprout in the dancing leaves and branches of Nat Ward’s paintings. Their rich surfaces reference mosaics, textiles, hieroglyphics, and even Asian script.

Based in Albury, Ward says her paintings are “an intimate conversation between herself and the places she walks”, yet there are, obviously, more sophisticated and inventive than that. Using flattened space, folkloric detail, linear depth, and a whimsical energized palette, her compositions take the landscape in every direction; up, down, and across.

Perhaps influenced by primeval landscapes of New Zealand, where she gained her BA in painting, Ward’s work has evolved into a style all her own, paying homage to a pocket of the landscape that is overlooked in favour of more heroic vistas.

 

Nat Ward Statement

"The Australian bush is full of complex intricacies, the ever-changing light, the forms of the trees and wildflowers and the nuanced light.

My latest work seeks to capture a sense of this, whilst not being overly descriptive, rather portray a feeling of immersion. The ‘scrubland’ of Nail Can Hill, where I often hike, offers a wonder of curious complexities which I am particularly interested in painting. It is my way of bringing to light the understated beauty of a sometimes innocuous and overlooked environment and an opportunity to reflect on these details of nature that have a gentle beauty."

Nat Ward Resumé

Education

Canterbury University ~ Bachelor of Fine Arts (Major - painting)

 

Selected Exhibitions

2023- Rochfort Gallery group show 

2023 - Korea Cultural Centre 10 year anniversary group show 

2022 - Group show 'Interconnected', NERAM 

2021- 'Wildflowers on Nailcan' solo exhibition, Manyung Gallery, Malvern

2020- Sydney Royal Botanical Garden 'Plants' Group Show

2019- Group Show 'Dolci' Rochfort Gallery

2019- Group Show Manyung Gallery, Flinders

2019- Solo show Rochfort Gallery

2018- Group show 'Petals and Pods' Rochfort Gallery

2018- Group show 'Land and Sea' Rochfort Gallery

2018- Group show ‘Whimsy’ Rochfort Gallery

2016- Group exhibition, Manyung Gallery, Malvern 

2016- Solo show MAMA, Albury

      

Commendations & Projects

2023 Finalist Ravenswood Art Prize for Women

2022 Finalist Regional Landscape Award

2022 Finalist Kangaroo Valley Art Prize

2022 Finalist Hadley's Art Prize for Landscape

2022 Finalist (gallery) Lethbridge small scale prize

2021 Finalist KAAF art prize Sydney

2021 Finalist Geelong Contemporary Art Prize

2020 Semi finalist KAAF Art prize2020- Artwork Cover - Royal Botanical Gardens, Autumn edition

2019- Singapore Art Fair, selected representation 

2019- Winner - Waverley Art Price

2019- Selected art for ephemeral project, Wodonga council

2018- Finalist John Leslie award for landscape

2017- Selected artist -'the other art fair Sydney'

2017- FIRST PRIZE Trinity acquisitive art award

2017- Feature artist GO LOCAL magazine

2016- Public art (enlarged image wrapped on central Albury   substation)

2016- Finalist Pro Hart outback award

2016- Feature artist, Trinity art award

2015- Highly commended Hume art award

2014- Finalist Hume art award

2012- Highly commended Hume art award

2012- Peoples choice (joint) Hume art award

2012- Selected artist, Wonga Wetlands ephemeral project

2012- Commended Chiltern art award    

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